EX P1HARMONY’S BOLD ENGLISH-LANGUAGE TURN
Photo: FNC Entertainment
P1Harmony has just released EX, their first ever all-English EP, on September 26, 2025. This project marks a significant milestone in their journey and artistic evolution. Composed of five tracks, including a Spanish version of the title track that pays homage to their large Latin American fanbase, EX stands out with a more accessible and universal sound—a wise choice ahead of their U.S. tour. The tracks oscillate between catchy pop, touches of synth-pop, and softer rhythms that leave more room for vocal harmonies.
TRACKLIST – EX
“EX”
“Dancing Queen”
“Stupid Brain”
“Night Of My Life”
“EX” (Spanish Version)
A NEW MUSICAL COLOR
Since their debut, P1Harmony has forged a rather versatile identity: blending K-Pop with hip-hop influences, dance, synth pop, and lyrics that explore themes such as empowerment, growth, and sometimes melancholy or personal challenges. Where their previous EPs emphasized raw intensity, EX reveals a different side of P1Harmony: less aggressive, but still driven by their signature stage energy.
EX, BETWEEN CHARM AND POP AMBITION
The music video for “EX” reveals a more “fun” side. We can sense an effort to make their universe more accessible to a general audience: colorful sets, lighting effects, simple but effective movements. This concept also seems designed for an audience less specialized in K-Pop, fitting well with an international vision.
“STUPID BRAIN” - MORE INSTROSPECTIVE
Compared to “EX,” “Stupid Brain” seems to aim for something more introspective. The title itself suggests an internal struggle. The pace (slower, calmer) and the musical accompaniment reinforce this feeling. “Stupid Brain” is the longest track in P1Harmony’s repertoire to date, which allows space to modulate the intensity, offering a more extended emotional range. The song opens with a nostalgic orchestral touch, like an old-school movie sliding into a more hip-hop beat. “Stupid Brain” isn’t just a B-side, but seems to stand out as the true masterpiece of this album.
Edited by Bryn Claybourne