ladies corner

When YENA settles on a concept for her music, she expresses it perfectly.

Despite not finding a new home in a separate company, Weeekly’s members have continued to make music and find their way as individual artists.

On February 27, RESCENE released “Busy Boy,” the first single in a unique move integrating music and intellectual property (IP) ownership through blockchain networks.

Before Bloom hour drops, there is no better time than now to revisit parts of WJSN’s career.  

Nayeon, Sueun, and quinn_ of the K-indie band Tomatomat bring a specific J-Pop-inspired 2000s influence to their music.

Evolving from a K-Pop trainee into a K-Pop producer and now Grammy winner, EJAE is building on her new solo career.

After decades of success with SM Entertainment’s K-Pop artists promoting in Japan, this debut represents the company’s latest move in music market localization.

Lee Songhyun and Na Yeongjoo draw on traditional Korean music, Gugak, and K-Pop for a genre they describe as “K-rossover Pop.”

Chorong, Bomi, Eunji, Namjoo, and Hayoung still remain active years after debuting on April 19, 2011.

While most of the 2026 excitement understandably focuses on the biggest boy groups coming back, notable girl groups are also preparing major releases for this year.

We’re ending off 2025 by asking The Kraze staff what were their favorite releases by female K-Pop artists.

For a change, here are some winter songs that came as a surprise this year.

In August, RAINBOW gained new music through the debut of Rainbow18, a sub-unit with main rapper Woori and main vocalist Hyunyoung.

On November 24, tripleS introduced four new sub-units that represent the forces of the universe.

NMIXX has been preparing to build their Latin American fanbase even before they debuted, and now their efforts are producing incredible results. 

At a time when girl groups usually go their separate ways after multiple sizable hiatuses, CLASS:y’s move to a new label comes as a relief.

DAMI’s beginnings in the K-Pop industry looked completely different from her newly launched solo career, which began on October 31.

With the captivating title track “FOCUS” and new, bright B-sides, this release breaks new ground for the group. 

Spooky season is upon us, so look at a past comeback both spooky and playful.

After eight years since her last solo release, Kim Lip’s new single “Can You Entertain?” marks her return to the spotlight.

Even as TWICE reaches their tenth anniversary next week, the group shows no signs of slowing down.

After releasing many catchy songs in South Korea, ILLIT has set their sights on Japan getting caught in their allure.

Since entering the K-Pop industry in 2016, former gugudan member Mimi has accomplished some special milestones.

When it comes to NANA, expect the unexpected.

Formerly under Yuehua Entertainment, EVERGLOW announced on Wednesday they signed with a new company as a four-member group.

At a festival celebrating Korea’s 80 years of liberation, project group TDYA performed their debut song “Keep The Light” for the first time.

Blooming Wings may look like the perfect fantasy on the outside, but its songs depict the ups and downs of romance.

With eight tracks in total, laundri covers a wide range of feelings.

With members hailing from South Korea, Japan, America, and the Philippines, AtHeart hopes to resonate with listeners all around the world.

Despite only debuting in March, KiiiKiii has mastered the look and sound of the 1990s and 2000s.