reviews

With the new change in ZEROBASEONE, we all wondered what exactly the sound of ZEROBASEONE would be.

Nine out of their 11 members have come back together to release I.O.I’s third EP, LOOP.

It’s been two years since Taeyong’s last solo project and this comeback couldn’t be more explosive.

Jinyoung is back with another EP that dives deeper into the complexity of his artistry.

NMIXX likens the progression of love to a “crescendo,” when its power becomes too massive to ignore. 

Billlie’s the collective soul and unconscious: chapter two seeks to wrap up the story from four years ago.

Starship Entertainment’s CRAVITY returns sharp with ReDeFINE, a metaphysical, alchemical, holy journey through resurrection and rebirth.

NO TRAGEDY, released on April 27, challenges the notion that a love never meant to happen must end disastrously.

MONSTA X’s English albums are always spectacular.

Welcome back to the music industry, T.O.P. We missed you.

After trying out the girl crush concept in their last comeback with “BUBBLE GUM,” Kep1er embraces this image in “KILLA (Face the other me).”

And yet, his sophomore album, Unpiltered, proves that if you’ve got the grit and the nerve, quite literally anything is possible.

ARIRANG doesn't just mark a comeback—it embodies the group's growth.

One thing many fans love about P1Harmony is their unique sound.

WOODZ releases his first full-length album Archive. 1, a sprawling, experimental seventeen-track album that feels more at home in ‘90s experimental rock than it does in his K-Pop origins.

The album, spanning twelve tracks, including individual member solos, offers up a diversity of sounds.

TWICE’s Japanese sub-unit MISAMO released the final installment of their art-inspired album trilogy.

South Korean K-Pop group ENHYPEN made their grand return, marking a bold new step in their conceptual and narrative universe.

&Our Vibe closes out the year with a continued exploration of the group’s concepts.

Stray Kids made a powerful comeback with DO IT, a project that showcases their rebellious spirit, musical intelligence, and visual appeal.

Dare to Crave, and its accompanying rebrand, settled CRAVITY into a robust but varied sound.

With the release of their highly anticipated third EP, UXLIVE, the group cements their status as industry pioneers, defying genre conventions with a signature sound that is at once intensely sexy, fearlessly experimental, and utterly ethereal.

If you’re a metal listener, definitely check out this album, you won’t be disappointed.

Their music embraces and honors all aspects of rock (and all of its sub-genres) with their latest mini-album, LXVE TO DEATH.

It’s been a glorious ten years with TWICE, and there’s no better way to celebrate the past decade with one of K-Pop’s most iconic girl groups than a new album.

Pairing minimal dance instrumentals with chanted vocals, izna sets out to break the boundaries of their own individuality.

When rumors surfaced about a new SEVENTEEN sub-unit possibly being in the works, many wondered who it could be.

ATEEZ has never been one to play by the rules when it comes to genre, and that fearless creativity is on full display in their latest Japanese release.

Ten years is quite the milestone, and yet, for a band as decorated as DAY6 it still feels like just the beginning.

While aespa has no doubt achieved riches of their own, the title track “Rich Man” focuses on a different type of value: self-worth.