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It is a recurring theme for ATEEZ to take a concept and demonstrate their creativity, and their GOLDEN HOUR series is a prime example.
TWICE’s Japanese sub-unit MISAMO released the final installment of their art-inspired album trilogy.
P1Harmony are no strangers to this venue, having performed here twice before for two separate K-Pop festivals, but this time was different.
We are now in February, a month that is remembered for a few things, one of them being Valentine's Day.
Their charming, bright, and striking concept works perfectly, and every comeback showcases that side of ZEROBASEONE, no matter the theme.
After decades of success with SM Entertainment’s K-Pop artists promoting in Japan, this debut represents the company’s latest move in music market localization.
The K-Pop world moves fast, and it can be difficult to keep up with which groups are coming back and when. But don’t worry, The Kraze is here to help keep you in the loop.
This Valentine’s Day, South Korea’s spice masters, Buldak, are setting the season of love aflame with a fiery new campaign.
Korean girl group EVERGLOW has announced the lineup of cities for their upcoming world tour, RE:CODE.
Global K-Pop powerhouses MONSTA X return with their brand-new English single, “growing pains.”
SYA, a member of the K-Pop boy group BLITZERS, released his first full-length solo album 23:24 on February 3.
ALL(H)OURS has released their first fan song shortly after celebrating their second-year debut anniversary and ahead of their upcoming tour.
One Pulse Group, the global production powerhouse behind S2O America and EDC Korea, announces the next edition of KRAZY Super Concert to be held February 17, at the Dubai Media City Amphitheatre in Dubai.
The release features five total tracks, each contributing to the group’s clearly defined narrative and artistic direction.
After a landmark year in 2025, XLOV is now announcing its first major European tour, already sold-out in several cities.
K-Pop boy group idntt takes an exciting step forward with the release of its new mini-album <yesweare> and title track "Pretty Boy Swag."
Junghoon of the K-Pop boy group OMEGA X has released his first solo digital single, Belong.
It is a recurring theme for ATEEZ to take a concept and demonstrate their creativity, and their GOLDEN HOUR series is a prime example.
Their charming, bright, and striking concept works perfectly, and every comeback showcases that side of ZEROBASEONE, no matter the theme.
The K-Pop world moves fast, and it can be difficult to keep up with which groups are coming back and when. But don’t worry, The Kraze is here to help keep you in the loop.
After almost three years since their last album, EXO is back with their stellar, electric, and addictive album REVERXE.
Ever since their stellar debut, new NCT subunit NCT WISH has been on a steady incline with every release they have had so far.
Fans have fervently wished for an official release from SEVENTEEN’s Dokyeom and Seungkwan since their song “Say Yes” off the group’s first studio album in 2016.
Virtual and ethereal, CHUU’s first full-length album XO, My Cyberlove, offers a dream-pop nine-song vocal showcase laced with yearning, loneliness, and postmodern internet romance.
TWICE’s Japanese sub-unit MISAMO released the final installment of their art-inspired album trilogy.
South Korean K-Pop group ENHYPEN made their grand return, marking a bold new step in their conceptual and narrative universe.
Stray Kids made a powerful comeback with DO IT, a project that showcases their rebellious spirit, musical intelligence, and visual appeal.
Dare to Crave, and its accompanying rebrand, settled CRAVITY into a robust but varied sound.
With the release of their highly anticipated third EP, UXLIVE, the group cements their status as industry pioneers, defying genre conventions with a signature sound that is at once intensely sexy, fearlessly experimental, and utterly ethereal.
Their music embraces and honors all aspects of rock (and all of its sub-genres) with their latest mini-album, LXVE TO DEATH.
It’s been a glorious ten years with TWICE, and there’s no better way to celebrate the past decade with one of K-Pop’s most iconic girl groups than a new album.
Pairing minimal dance instrumentals with chanted vocals, izna sets out to break the boundaries of their own individuality.
Over the past year or two, several new bands have emerged in the K-Rock scene (some consisting of members with backgrounds in well-known K-Pop groups.)