If you’ve been following K-Pop over the past few years, chances are you’ve come across CHUU.
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After a stellar album last year, GOT7 member and soloist YUGYEOM is back with his jam-packed album Interlunar.
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It is now the summer time, and with that comes the summer bangers.
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ILLIT is now nearly a year and a half into their career and has solidified their signature concept and sound.
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As the first K-Pop artist under entertainment agency Leanbranding, KIIRAS is setting themselves apart by integrating their concept with country music.
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BIBI’s candor—and her honest reactions—hits to the core of her magnetism and charm.
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Announced in late May, this third installment continues the Golden Hour theme of self-discovery and emotional expression.
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After a stellar release earlier this year, BTS member and soloist j-hope dropped his very addictive and hype track, “Killin’ It Girl.”
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After topping the charts with their album <Dall>, ARTMS delivers a darker twist with a new EP titled <Club Icarus>.
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After their participation on the survival shows PROJECT 7 and Starlight Boys last year, 11 members from BAE173 and FANTASY BOYS are collaborating as a project group, Double 0ne.
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In his latest acoustic rock album Soar - The 2nd Album, NCT’s Doyoung settles gently into his now familiar acoustic melodies and orchestral swells.
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Let’s take it back and talk about some fan chants that have changed our lives.
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ITZY has gone through a number of genre changes in their comebacks, but one thing has always remained static—the theme of female empowerment and self-confidence in their lyrics.
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Released on June 9, this EP makes for a cathartic listen.
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The K-Pop scene has changed immensely since WM Entertainment’s last girl group, OH MY GIRL, debuted in 2015: USPEER, the company’s latest act, takes a direction that understands 2025 is a different beast.
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The song blends Lee Mujin’s signature style, expansive vocals, and lyrical delicacy to express the complex emotions that surface when one’s inner world begins to collapse.
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Through a powerful concept film and a powerful main music video, the group immerses its fans in an immersive and emotional experience.
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From making beats in Daegu to performing on global stages, he’s turned his personal experiences into music that connects.
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The bridge of a song is the build-up to the final chorus and therefore is a crucial part of the piece.
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Hong Kong recently became the latest region to receive their own K-Pop group: SMORZ, a girl group with all Hong Kongers, made their debut on May 19.
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