Nayeon, Sueun, and quinn_ of the K-indie band Tomatomat bring a specific J-Pop-inspired 2000s influence to their music.
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Windy weather couldn’t stop fans from lining up to see UNIS on their first tour in New York City.
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Before the new album release, Billlie sat down with us and our fellow media colleagues to answer these questions about their upcoming comeback.
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After decades of success with SM Entertainment’s K-Pop artists promoting in Japan, this debut represents the company’s latest move in music market localization.
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Every new era means another trip back into the past for KiiiKiii.
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Lee Songhyun and Na Yeongjoo draw on traditional Korean music, Gugak, and K-Pop for a genre they describe as “K-rossover Pop.”
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It’s a jam-packed album that showcases the talent of the XG members.
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Chorong, Bomi, Eunji, Namjoo, and Hayoung still remain active years after debuting on April 19, 2011.
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TWICE’s decision to film their 2017 music video for “Likey” in Vancouver, B.C. left many Western Canadians yearning for a proper concert in the city. The group fulfilled that years-long dream when they brought their <THIS IS FOR> world tour to North America on January 9.
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&Our Vibe closes out the year with a continued exploration of the group’s concepts.
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We’re ending off 2025 by asking The Kraze staff what were their favorite releases by female K-Pop artists.
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Today, we are going to take it back and talk about IVE and their iconic tracks.
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In August, RAINBOW gained new music through the debut of Rainbow18, a sub-unit with main rapper Woori and main vocalist Hyunyoung.
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On November 24, tripleS introduced four new sub-units that represent the forces of the universe.
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Known best for girlish, cute concepts alongside catchy, synth-pop earworms, ILLIT’s latest single NOT CUTE ANYMORE deviates from their dainty portfolio.
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NMIXX has been preparing to build their Latin American fanbase even before they debuted, and now their efforts are producing incredible results.
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They’re P NATION’s first girl group—and the bandwagon everyone will want to be on soon.
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At a time when girl groups usually go their separate ways after multiple sizable hiatuses, CLASS:y’s move to a new label comes as a relief.
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We can always count on ITZY to be there to pump women up.
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With the captivating title track “FOCUS” and new, bright B-sides, this release breaks new ground for the group.
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