MONSTA X’s English albums are always spectacular.
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Welcome back to the music industry, T.O.P. We missed you.
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After trying out the girl crush concept in their last comeback with “BUBBLE GUM,” Kep1er embraces this image in “KILLA (Face the other me).”
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And yet, his sophomore album, Unpiltered, proves that if you’ve got the grit and the nerve, quite literally anything is possible.
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ARIRANG doesn't just mark a comeback—it embodies the group's growth.
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One thing many fans love about P1Harmony is their unique sound.
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WOODZ releases his first full-length album Archive. 1, a sprawling, experimental seventeen-track album that feels more at home in ‘90s experimental rock than it does in his K-Pop origins.
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The album, spanning twelve tracks, including individual member solos, offers up a diversity of sounds.
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TWICE’s Japanese sub-unit MISAMO released the final installment of their art-inspired album trilogy.
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South Korean K-Pop group ENHYPEN made their grand return, marking a bold new step in their conceptual and narrative universe.
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&Our Vibe closes out the year with a continued exploration of the group’s concepts.
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Stray Kids made a powerful comeback with DO IT, a project that showcases their rebellious spirit, musical intelligence, and visual appeal.
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Dare to Crave, and its accompanying rebrand, settled CRAVITY into a robust but varied sound.
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With the release of their highly anticipated third EP, UXLIVE, the group cements their status as industry pioneers, defying genre conventions with a signature sound that is at once intensely sexy, fearlessly experimental, and utterly ethereal.
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If you’re a metal listener, definitely check out this album, you won’t be disappointed.
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Their music embraces and honors all aspects of rock (and all of its sub-genres) with their latest mini-album, LXVE TO DEATH.
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It’s been a glorious ten years with TWICE, and there’s no better way to celebrate the past decade with one of K-Pop’s most iconic girl groups than a new album.
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Pairing minimal dance instrumentals with chanted vocals, izna sets out to break the boundaries of their own individuality.
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When rumors surfaced about a new SEVENTEEN sub-unit possibly being in the works, many wondered who it could be.
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ATEEZ has never been one to play by the rules when it comes to genre, and that fearless creativity is on full display in their latest Japanese release.
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