It's official: xikers is turning the page on the HOUSE OF TRICKY saga and opening a brand new chapter.
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With the new change in ZEROBASEONE, we all wondered what exactly the sound of ZEROBASEONE would be.
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Nine out of their 11 members have come back together to release I.O.I’s third EP, LOOP.
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It’s been two years since Taeyong’s last solo project and this comeback couldn’t be more explosive.
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Jinyoung is back with another EP that dives deeper into the complexity of his artistry.
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NMIXX likens the progression of love to a “crescendo,” when its power becomes too massive to ignore.
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Billlie’s the collective soul and unconscious: chapter two seeks to wrap up the story from four years ago.
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Starship Entertainment’s CRAVITY returns sharp with ReDeFINE, a metaphysical, alchemical, holy journey through resurrection and rebirth.
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NO TRAGEDY, released on April 27, challenges the notion that a love never meant to happen must end disastrously.
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MONSTA X’s English albums are always spectacular.
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Welcome back to the music industry, T.O.P. We missed you.
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After trying out the girl crush concept in their last comeback with “BUBBLE GUM,” Kep1er embraces this image in “KILLA (Face the other me).”
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And yet, his sophomore album, Unpiltered, proves that if you’ve got the grit and the nerve, quite literally anything is possible.
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ARIRANG doesn't just mark a comeback—it embodies the group's growth.
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One thing many fans love about P1Harmony is their unique sound.
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WOODZ releases his first full-length album Archive. 1, a sprawling, experimental seventeen-track album that feels more at home in ‘90s experimental rock than it does in his K-Pop origins.
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The album, spanning twelve tracks, including individual member solos, offers up a diversity of sounds.
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TWICE’s Japanese sub-unit MISAMO released the final installment of their art-inspired album trilogy.
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South Korean K-Pop group ENHYPEN made their grand return, marking a bold new step in their conceptual and narrative universe.
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&Our Vibe closes out the year with a continued exploration of the group’s concepts.
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