“Don’t Regret” is a heartbreaking pop-rock ballad, quite unlike his previous singles.
Read MoreWonho has certainly made his mark in K-Pop as one of the most consistent and alluring male solo acts, and third mini-album Facade is another treat for fans who can’t get enough of the singer-songwriter’s artistry.
Read MoreDespite being the shortest month of the year, February was packed with exciting new comebacks.
Read MoreWonho has returned with his single album Obsession, and fans are happier than ever to hear new music from the soloist.
Read MoreSeptember was a busy month for Korean music, and we got some beautiful gems from our favorite artists as they welcomed the fall season.
Read MoreWonho took part in the writing process of the entire album, featuring English and Korean tracks.
Read MoreWonho has two hobbies: becoming the most muscular man on the planet and loving his fans relentlessly.
Read MoreComing in hot with the second installment of Love Synonym, Wonho has made a comeback with his second mini-album.
Read MoreIt goes without saying that 2020 has been a taxing year, but even in the most trying of times, our favorite K-Pop artists were there, doing what they could to bring happiness and comfort to their fans.
Read MoreAs fall is coming to an end, let’s check out a few memorable music video looks from different K-Pop artists.
Read MoreCheck out some of our favorite things that came out this September!
Read MoreAfter much anticipation and several months of patiently waiting, beloved former MONSTA X member Wonho has made his solo debut!
Read MoreAfter a painfully long 10 months, Wonho has officially returned to the entertainment world with his pre-release track titled “Losing You.” It marks his new beginning as a soloist with Highline Entertainment.
Read MoreIt may seem like a case of fans being unable to let go, but if you dig deeper, it becomes clear that this is much bigger than just a member leaving their group—this is about a toxic cycle in the K-Pop industry centered around the life-changing impact of rumors, companies refusing to protect their artists, and Korea’s tendency to dehumanize their idols.
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