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The K-Pop world moves fast, and it can be difficult to keep up with which groups are coming back and when. But don’t worry, The Kraze is here to help keep you in the loop.
March might be 2025’s strongest month of comebacks so far with so many great tracks having been dished out this month.
Song Sohee’s “Not a Dream” is a spellbinding fusion of Gugak elements and a vocal style reminiscent of Dolores O’Riordan’s.
It’s not a new issue, but idols have started to mention it more directly during their ments, and it's a comment that fans should take seriously.
“I’m talking about some real love:” In his first solo comeback, TEN is more than talk. He’s flair.
Nine-member boy group CRAVITY returns to a bright, bubblegum sound in their latest Japanese comeback Jelly Bean.
NEWBEAT took time ahead of their official debut to sit down with select members of the media to talk about their pre-released tracks, their time busking in the States, what their goals are, and how they want to be seen.
Picking back up with our “Women In K-Pop” theme, I think it’s time we talk about some soloists who have changed our lives.
EVAN, formerly known as PLUMA, has officially released his latest single, “Star Below (Feat. pH-1).”
Korean-alt pop band The Rose makes a triumphant return over a year-and-a-half hiatus by announcing their highly anticipated new EP, WRLD.
SM Entertainment, the prestigious leader at the forefront of the Korean entertainment industry, has revealed new and exciting additions to the SMTOWN family concert in Los Angeles.
The Shops at Skyview in Flushing Queens hosts its “Spring Forward/Give Back” event on Saturday, March 15.
Global boy band JO1 just wrapped their first world tour, JO1DER SHOW 2025 ‘WHEREVER WE ARE’ tour stops in America.
PLAVE is making history and creating ripple effects not just in the K-Pop genre, but throughout the global music industry.
The hit K-Drama My Dearest Nemesis, produced by Korea's Leading Scripted TV Studio Studio Dragon, is making waves worldwide.
Due to incredible fan demand, global K-Pop superstars BLACKPINK have added second shows in Los Angeles, Toronto, New York, Paris, and London to their highly anticipated 2025 World Tour.
The K-Pop world moves fast, and it can be difficult to keep up with which groups are coming back and when. But don’t worry, The Kraze is here to help keep you in the loop.
Nine-member boy group CRAVITY returns to a bright, bubblegum sound in their latest Japanese comeback Jelly Bean.
If there’s one genre in the Korean space that’s not getting enough exposure, it’s the K-Rock scene.
The Boyz are back, with a fresh label and a fresh sound in Unexpected, the group’s first release under One Hundred.
Fe304: FORWARD is jam-packed with six songs that hold the unique NMIXX sound we know and love.
After an unforgettable EP, our LE SSERAFIM girlies are back with a laid-back mini-album.
In their first official sub-unit release, SEVENTEEN’s HOSHI and WOOZI prove they’re the ones to beat with “96ers.”
“I’m talking about some real love:” In his first solo comeback, TEN is more than talk. He’s flair.
Xdinary Heroes continue to dominate the new era of K-rock-pop with the release of their sixth mini-album, Beautiful Mind.
It’s been over two years since Red Velvet’s SEULGI stunned the masses with her first solo release.
Approaching their tenth anniversary, RBW Entertainment’s K-Rock band ONEWE returns with self-produced full-length album WE: Dream Chaser.
YOUNG POSSE tries something different with their latest title track, “COLD (feat.10CM).”
With theatrical flair, funk, and a healthy dose of mystery, ONF takes the stage in their latest LP ONF: My Identity and “The Stranger.”
On February 14, SM Entertainment released an album reimagining classics from the company’s famous catalog of songs for its 30th anniversary.
JYP’s premier Japanese girl group NiziU is back to brighten up winter with their latest release and first mini-album AWAKE.
It has been almost three years since GOT7 released music, and they are back with a jam-packed album to rock your world.
The months-long clash between HYBE subsidiary ADOR and its sole group has brought into question what autonomy artists have over their brand and image.